At about this time in 2008 2007, I was struggling to finish a
sketchbook as part of my drawing foundations final. So again, I am now. The
differences between then and now are staggering in a "wow what a
trip" kind of way. My drawing skills have improved a lot, and I am far
more comfortable with what I do. I can be happy and proud of that kind of work.
This current sketchbook is bigger, and I am using both sides of the paper. I've
had it going for a year, not just one semester.
Lots of differences, but the one that
matters most is that then I was filling the book for a class, and now I am
doing it for myself. Arbitrary goals in both cases, but the self imposition is
key. My goal for the year, my first year with no college classes, has been to
fill 20 sketchbooks. I did 24 last year, between my thesis grind and a fevered
struggle to keep up that pace after graduation. 20, I thought, would be a very
reasonable follow up, especially important in a year where it has been
consistently difficult to paint.
Until last week, I had made peace with
falling short of that goal of 20. It was okay I reasoned, because I've still
drawn a lot. I've improved to the point where I feel ready to finally to push
my art out of the nest and into the wider world. So what did the arbitrary goal
matter? Last week, I realized why - if I am going to reach my professional and
personal goals, I need all the practice I can get at meeting my own arbitrary
standards. I have to learn to be my own boss, and that's difficult, so any
practice is good. And so I am struggling to fill a behemoth of a sketchbook,
the first I've done since childhood that I've kept going for so long without
filling. The first I have ever approached with the intention of it standing as
an art object all on its own, with far more time given to each drawing that my
usual frantic sketches.
I started it at the beginning of this year
of the Snake with those goals, and they have sort of come full circle: I've
learned this year to slow down my process sometimes, and give more attention to
each drawing. My books have improved because of it, and its been a slow but
rewarding process upgrade. It is also a physical example of everything that I
need to achieve not only professionally, but also in ultimate. In both
endeavors I've always lacked follow through, and practice is needed to attain
it. It is crucial that I keep setting arbitrarily high standards for myself,
and little by little, working to uphold them. Even if its slow and mind
numbingly frustrating at times.
Time for work. Have a good one, blagosphere.
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